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Even ideology permeated the children's stories: the beginnings of forced collectivisation in the village are seen through the eyes of a young boy. As the son of an honest and deliberate communist official, there is no shortage of informed insight, even if it is lightened slightly by the occasional wacky idea. However, childhood friendships or even loves run up against the conflicts of an excited age, especially when the protagonist's best friends come from families of class enemies.

Three best friends land in a reformatory together. After some muckraking abuses, a sensitive director helps them rehabilitate themselves.

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In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.